Old Bruce

Have you tried using the File > New Panorama... menu item to make an "automatic" panorama?

I don't see why you are applying the effects to each and every PNG and SVG. Why not just apply it once to a group of the SVGs and PNGs. The individual SVGs also have no effect layer applied.

There is no scripting available as of the current version. There may be JavaScript capability added to some future update. Do not count on it happening soon.

Have a kudos @GaryLearnTech. Well spotted.

Compare with your screenshot from which these were taken. Your "Backwards" Levels are working from a CMYK document. As I said this is due to the nature of the CMYK images' channels being inverted because that is how CMYK works.

This confuses me. Could just be the way we work. With my work I never have Placeholder text or Placeholder images on a Master Page. Just empty Text and Image Frames and stuff that I want to occur on every page that I apply the Master to. I name everything on my Master Pages, the names helps with reapplication.

I wish we could, maybe someday.

Seems to be related to using the Balanced Dash pattern with an open curve and/or ridiculously large gap sizes.

Not per se but there is the Pixel persona.

I have to agree with these ideas. I just don't know how the application will determine which type of notes should be the default in a situation where there are two or three types used. Would it be last (most recently) used or most frequently used (20 footnotes, 5 endnotes, and 2 side-notes)?

I thought it was done with an ice axe.

One thing may be that you have Superscript set for the page numbers. I really encourage people to make Paragraph styles for pretty much every bit of text in their documents.

On way would be to inadvertently use the Boolean Add command on a Picture Frame which would turn it into a Rectangle.

Not a bug. I do believe you are working with a CMYK publisher document. The Channels are inverted, this is the nature of the beast with CMYK colour.

If I want an 8 x 10 inch PDF with trim marks I would use Designer and make an 8 x 10 inch document with the usual bog standard 1/8th inch bleed. Then I would make a Photo document at 8 1/4 x 10 1/4 inches (or even 9 x 12 inches) and once finished in photo I would place that Photo document in the Designer Document and export to PDF with including Bleed and Crop marks.

I am seeing the same thing with my ancient Canon Scanner Printer. Colour doesn't seem to work, B&W does work. I think your best bet is to follow v_kyr's advice and just scan to a TIFF at 300dpi then import that image. Most likely a problem with the combination of Canon's drivers and the Apple OS and Affinity.

I think this is the thing you are looking for. Aligned versus Not Aligned. Unchecked is not aligned. The Context toolbar must be showing.

Based on your second post I am going to assume you are using Photo. Draw your shape with whatever vector tool you want. Go to Select > Selection from layer and then go to Select > Feather and feather the selection, make a mask from the selection.

I find using the escape key twice will get me to the point where the Text Caret is no longer active and the V or H keys will select the Move (pointer) or Hand tool. Plus of course P selects the Pen tool etc.

This seems to be fixed in the latest beta 2.2.0.1903

This seems to be fixed in the latest beta 2.2.0.1903

I have to be honest and say that I am not seeing the "jerky" in your first screenshot. It actually appears to be what I would expect, although having said that I don't have the original to compare it to.

In my experience the minus two stops would be applied smoothly from 0% through to 100% over the length of the line. So the darkness goes from 100% from the top all the way down to the top-middle third and then fades to the bottom-middle third to 0% and remains at 0% down to the bottom. It may be that the effect you are wanting means you need to move the upper node/handle to the top of the image.

In addition to thomaso's advice I want to point out that there are fonts which consist of only of Uppercase glyphs, no Lowercase glyphs. ===== Zusätzlich zu thomasos Ratschlag möchte ich darauf hinweisen, dass es Schriftarten gibt, die nur aus Großbuchstaben und nicht aus Kleinbuchstaben bestehen.

If you used Paragraph Styles for the book then all you would need to do is change the Font Family in the Paragraph Style's Edit Text Styles Window. The Italic and Bold local formatting should remain Italic and Bold. Best practice would be to have made Character Styles that would be applied to those bits of text. Best Practice would be to have pretty much every piece of text in the book having a Paragraph Style (and Character Style if needed) applied.