claudiogalli

Many thanks!
How did you discover this link?
Claudio

Many thanks!
How did you discover this link?
Claudio

Many thanks!
How did you discover this link?
Claudio

Really impressed with the Pano feature in 1.4.. As a quick test I loaded a three image panorama from my Pentax 645z (50.1 mp) and running on my little Mac mini rendered the pano quite quickly, on par with AutoPano Pro running on an i7 32 GB PC system  The images stitched seamlessly with no artifacts. Well done
 
So my feature request would be some additional Pano Projection settings. Not interested in the esoteric projections like Small Earth and Mirror Ball, but:
 
Planar Mercator Cyndrical Would be more than welcome additions
 
Thanks for a great product.....
 
MK

I also "just set up an account on this forum specifically to make this request " :)
 
Other users already explained the matter in detail so I won't do that.
Suffice to say that GUI and usability are quite sensitive topics and this it is a really important subject.
Please give the user the option to choose the UI brightness.
 
Thank you all.

Love the program, hate the UI. I too can't live with dark UIs but also, the icons are too small on my 27" iMac screen. Please, can we set our own UI colours and icon sizes?

I've just set up an account on this forum specifically to make this request.
 
I'm an Illustrator user who really resents Adobe's new CC subscription scheme, so I'm interested in software that provides a realistic alternative to Adobe's core products. I've just bought Affinity Designer and so far am very impressed by what I see, feature-wise. There's a lot to like here.
 
However, I DO NOT LIKE dark user interfaces, and I was dismayed when I found that a dark interface is all that's on offer here. Maybe it's a feature of my eyes, but I find the dark colours extremely difficult to resolve and focus on, especially if I'm working on fairly bright/pale artwork (which is invariably the case).
 
UI designers seem to be under the misapprehension that having dark user interfaces is helpful because the tools 'get out of the way' and don't distract from the content. In fact, that's not true (or, at least, it's missing the point). The key thing is contrast: for ideal working conditions, every part of the screen that contains active content (i.e. artwork and tools) should be of a similar brightness to the overall intensity of the artwork. So, if you're designing dark/predominantly black artwork, your eyes need to adjust to that darkness, and hence having dark tools is helpful in that situation. But in the vast majority of cases (particularly when you're designing light artwork for use in print, typically on a white background), your eyes have to accommodate the glare of the bright colours, so the tools need to be similarly pale too. If there's a mismatch between artwork lightness and interface lightness, your eyes are constantly having to adjust as they move between the two areas, which is incredibly tiring.
 
Maybe I suffer from this more than other people, but I'm very conscious of it – and it's the reason why I hate dark user interfaces. It's not that I'm against them in terms of their looking good; it's all about usability. Ideally, the lightness of the user interface, in a design application such as this, should be adjustable on a per-document basis, because – as noted – for the best experience, its overall lightness should be similar to that of the artwork itself. (So maybe it could be tied to the document background colour for any given document.) But at the very least, given that most artwork is either printed or viewed on-screen against a light background, a light user interface should definitely be the default.
 
Frankly it amazes me that Adobe has got this wrong in recent times. It seems to be insisting on dark user interfaces itself, by default, which is barmy. But the fact that Adobe's started doing this doesn't mean that other developers should blindly follow its lead. Dark user interfaces may look cool, but they're actually a really bad idea, especially if enforced. Please, developers, THINK about such things! Take design decisions for the right reasons, rather than just to follow the current trend.
 
At least Adobe does still offer the full range of dark to light in its user interface preferences, so it's still possible to make them look like they used to look (black text on pale grey) – which is massively better than the dark default.
 
Unfortunately, Affinity Designer doesn't have this feature. OK, at least I can set the UI gamma. I've put it up to its brightest possible setting and it helps a little bit, but it's not nearly enough. At minimum, there needs to be a similar alternative to approach from the white end of the scale: i.e. to start with a very bright interface and darken it down.
 
Please think about acting on this as a matter of urgency, Affinity developers. Much as I'd love to see more 'real' features being developed for this excellent-looking product, this UI issue is, to me, surprisingly important because it impinges on the usability of the entire application. While the interface continues to be excessively dark and overly hard to read, it's going to materially hamper my ability to use the software.
 
We don't need skins and alternative icons. The basic look is fine. We just need to be able to lighten it right up so that the tools and buttons use dark text on a pale grey background. Thanks for listening.

I asked this question in another post which was all but ignored. It is very important. Sometimes black/grey UI sucks your peripheral vision away from the workspace.

+1
 
I can't understand why do some designers do not attent to just a possibility or optional way of having the color in the interface when a dark mode can't be seen well by some people.

I would like to add my voice to this request. I'm having substantial problems with "light grey on black" interface design. The contrast is just not very good. In a brightly lit room, as the one I work in, it is rather difficult to use and it induces headaches after a while.
 
I have the same problem with Pixelmator. I hope you will be different than the Pixelmator team, which absolutely refuses to offer the possibility of customising the UI colour scheme. There are graphic professionals in their 50s and 60s who might not have the eyes of our younger colleagues. Please consider our needs, too. Thank you!

..and a lighter background with a dark UI is a nightmare for working!

I have just changed the language from Italian to english and now the Haze Removal Appears!
Now I have switched back to Italian and instead of Haze Removal there is "Rimozione distorsione" which is not the correct and a real misleading translation ("Distortion" has nothing to do with "Haze"-  it should be: Rimozione Foschia) but it works to remove the haze!
 
Thanks a lot,
Claudio