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loukash

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Posts posted by loukash

  1. Just now, anto said:

    why look for it in the manual?

    Because that's what manuals are being written for…? ;) 
    A self-respecting professional software user reads manuals – if available – to learn all those nifty tricks that may be intentionally hidden from the surface in order not to distract novice users. Perhaps it's just me, but that's how I've been proceeding in the past 35 years of my DTP experience. (Although, back in 1989 I didn't have a user manual for the PageMaker 3 that someone installed on the Macintosh SE/30 in the public university library, and it took me quite some time to figure it all out by myself, without any former computer training while I was at design school…)

    8 minutes ago, anto said:

    It should be intuitive.

    Once I have looked it up (in Ash's post above, as it's not in the manual yet), it appears totally obvious and intuitive to me. But again, perhaps it's just me… :) 

    10 minutes ago, anto said:

    No one looks in a manual to find out how to resize a rectangle. They just drag the node. Isn't that right?

    And you still can. It hasn't been taken away.

  2. 11 minutes ago, Aurea Ratio said:

    I also see some pretty weird or unorganic shapes with even pretty basic editing. Never had such trouble in other programs.

    I instantly saw the jagged artifacts after pulling a few nodes

    This has been a general issue with the pressure feature since it was introduced in v1. 
    In that sense, the new Line Width tool is apparently "only" a different front end to what's been there for a long time and only editable via the Pressure curve until now. But at least it's more convenient.
    (Considering this, I can't say that I'm overwhelmed either… :S)

  3. 50 minutes ago, Intuos5 said:

    the end points often get moved together

    For closed curves, it's a Good Thing™.
    Perhaps the profile panel should be a bit smarter and differentiate between closed and open curves.

    52 minutes ago, Intuos5 said:

    3. Could the option be added that the graph is not an interpolate curve? I'd like to specify on a per point basis whether it's a linear or smooth pressure transition.

    Agreed

  4. 14 hours ago, Timtoon said:

    that is definitely a limitation in Publisher.

    As noted, that is a "limitation" of e.g. InDesign as well:
    The layout app expects to find an image file at the saved location (which by itself is already a kind of "alias concept") to replace the saved low-res preview with the original image data on the fly. But instead it finds a file of the same name that doesn't contain any image data whatsoever. For a layout app, that is a "corrupt file". Therefore the asset must be relinked to the alias so that the layout app is now told by Finder where the original is stored.

    It's a limitation of the Finder alias feature.

    Some apps can't handle Mac aliases at all but may work with Unix symbolic links instead. Other apps have it vice versa. I've been doing lots of alias/symlink trickery in the past decades, and often it's been a hit-or-miss.

  5. 8 minutes ago, Timtoon said:

    In the Finder, delete the contents of `images2/` and replace them with an alias to each file in `images1/`. These are aliases to the fundamentally identical image.

    So, for the fun of it, I tried this scenario not just in APu, but also in InDesign CS5.5.
    Guess what: ID suffers from the same "bug"!

    Thing is, you can do a lot with aliases (or symbolic links for that matter), but there are limits

    So, to fix this limit in APU, you may want to relink each placed image to the alias. 

    Or even easier:
    Don't duplicate the "images2" folder in the first place. You can link to the same external files in "images1" from multiple layout documents.

  6. 10 hours ago, Timtoon said:

    I want Publisher to respect the symlink and point to the actual file, choke on reading the alias.

    All Affinity apps support both aliases and symlinks as expected.
    So either the alias or the PNG itself are broken.

    Also note that "alias" ≠ "symlink". 

    • If you're actually using symlinks (I do in certain scenarios), then you must not ever move the original file because a symlink is essentially just a POSIX file path/URL. Much like web URLs, if you change only one character in the original file's path, the symlink will break.
    • Whereas an alias can "track down" the original file even if you move it to a different location on the same disk because it keeps track of its filesystem ID instead.
  7. 3 hours ago, Raptosauru5 said:

    Canva is not nowhere near to what I would call a "Professional software", compared to Affinity.

    Well, to draw comparison with e.g. Apple, Apple also didn't have any professional audio recording and sequencing software before they bought Emagic some 20 years ago. But that was why they bought Emagic, so that they would have not only the Logic DAW for the pros, but eventually also the free GarageBand – which is directly based on Logic – for everyone. And from what I read a few years ago, reportedly the original Emagic team that now works for Apple is still based in Germany.

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