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elk

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Posts posted by elk

  1. My fist reaction to this announcement – which I got a few minutes ago – is » The end of a brilliant era.

    I think the main reason for this opinion is that Canva is such a popular tool for marketers and individuals. To me, this means that it's not aimed at professional designers, graphic artists and artists, but at people who want to be creative by accessing ready-made templates. - I have often feared that this day would come, because I could not imagine that Serif could achieve at this price level what many professionals (often excessively, imho) demand in order to replace the forced subscriptions of the top dogs.
    Somehow this development seems unavoidable - and there is still the faint hope that this time things will be different than usual - because Serif is Serif. And because the people at Canva perhaps don't have the greed that is generally assumed.

    So I’m looking forward to the lots of cool updates that will come for the 2.x versions, wish all the best for the serif team members and stay tuned!

  2. Ich verwende dafür Master Match. Es ist gerade als Bundle im Abo erhältlich. Ich habe zur Software einen kurzen Post auf meiner Website. Siehe unten.

    I use Master Match for that. It’s currently available as subscription in a Black Friday deal. I have a short post to the software on my site. In german language.

    https://www.abelbeck.de/farbreferenzen-nutzen-in-affinity-photo/

  3. On 11/15/2023 at 7:13 PM, thomaso said:

    Another option could be to store the various sets of styled text frame examples on a master page. This page can get accessed easily via the Pages Panel or even with the button "Toggle Master View" to pick a wanted item of the master page + switch back to the previous page.

    Yeah, I thought of that too – didn’t try it yet. But seemes a good workaround. Thank for all your suggestions 🙂

  4.  

    On 10/28/2023 at 9:11 PM, thomaso said:

    If @elk feels that their assets produce "more and more redundant styles" in a document I wonder for what purpose the assets got saved with saved styles (= entries in the Text Styles panel) if the styles should not get used as such but are actually unwanted for the assets?

    🙂 I just wanted to have some formatted snippets at hand.

    Think of a formatted image capture with 3 styles: An arrow (from a font), a title and some different styled information. It would be comfortable to just drag this in from a library instead of searching in the document to copy a fitting one. But the styles are copied then. Affinity doesn’t see that they are identical (not only names but also every style detail) and copies it in. Now I have these styles redundant in my document. So – this is no option. It’s just obviously not the idea of the asset library.

    I think what I had in mind was more a sort of clipboard with multiple objects instead of only one at a time.

  5. 17 minutes ago, Old Bruce said:

    I would use the parenthesis to enclose what I want to be included. Then use the backslash \ and a number to indicate which set of parenthesis enclosed search terms I want to use in the replacement.

    Find:

       ^(.+)$

    Replace:

       Here is the original search term: /1

    Or...

       /1: That was the original search term.

    The /1 is what is in the parenthesis.

    Note that the $ is for the end of a line, you may not really need it because of the way .+ works for finding everything except a new line.

    Oh yes, I used that search in webdesign for replacing a whole line of image names with a complete image and thumb path which worked fine.

    What I needed was the reference, but /1 didn’t work ;-) it’s \1

    Thanks for your fast reply, that was helpful!

  6. 1 minute ago, thomaso said:

    Ist bei mir bisher nicht passiert – weder grundsätzlich noch manchmal.

    Kannst du ein .idml Beispiel hochladen?

    Wurde eventuell bereits in InDesign der Zeichenabstand anstelle des Absatzabstands verwendet?

    Hm, das ist ja seltsam. Da muss ich mal ein wenig herumgucken. Das kann dauern. Aber ich schreibe es in meine ToDos. – Ich bin der Meinung, dass ich immer mit Absatzabstand gearbeitet habe. Korrekturen innerhalb einer Zeile habe ich wenn nötig vereinzelt mal auf Zeichenbasis zum Ausgleich einzelner speziell ausgezeichneter Wörter gemacht. Für die Korrektur ganzer Zeilen innerhalb eines Absatzes habe ich nie Verwendung gehabt – daher war mir die Abstandkorrektur auch völlig fremd.

  7. On 7/15/2022 at 8:52 PM, thomaso said:

    Die Abstandskorrektur ermöglicht zB den Zeilenabstand innerhalb eines Absatzes zu ändern ohne ein Absatzumbruchzeichen (¶) zu erfordern.

    Es ist ein ausgiebig diskutiertes Feature, das von Vielen nicht verstanden wird und wegen seiner Eigenschaft als Zeichenformat (nicht: Absatzformat) besonders diejenigen irritiert, die entweder grundsätzlich Zeilenabstände als Zeichenformat definieren oder einfach erwarten, dass auch Zeilenabstände für Absatzformate in der Benutzeroberfläche der Zeichenpalette erscheinen würden, damit sie die Absatzpalette nicht benötigen und den Bildschirmplatz sparen.

    Eine Suche nach "Leading Override" ergibt reichlich Treffer. Einer der Stränge mit den meisten Beiträgen (107) enthält u.a. zwei Videos, die mögliche Anwendungsfälle beschreiben. Der folgende Post enthält Links zu den beiden Videos:

    Ah, okay, danke. Dass es grundsätzlich bei der Umwandlung von IDML-Files passiert, finde ich allerdings kontraproduktiv. (Die Übersetzung »Abstandskorrektur« finde ich auch unglücklich – ich musste erstmal im engl. Original gucken, um zu sehen, dass hiermit eine Korrektur des Zeilenabstands und nicht irgendetwas anderes gemeint ist. Aber das nur nebenbei, denn insgesamt bin ich ein glühender Anhänger der Affinity Suite 🙂

  8. Beim Konvertieren von IDML werden Stilformate mit Abstandskorrektur umgewandelt. Dies setzt den Zeilenabstand fest.
    Kann mir jemand sagen, wozu das eigentlich gut ist? In welchem typografischen Zusammenhang benutzt Ihr diese Funktion?

    When converting IDML, style formats are converted with leading override. This fixes the leading.
    Can anyone tell me what this is actually for? In what typographic context do you use this function?

    Thanks for your thoughts

  9. Thanks all you, guys 🙂

    @walt.farrell Yes, placed a cmyk logo from native .afdes with 3 colors: 1. 100k, 2. 15k and 3. 70y|100m in linked mode. Different color profiles btw. afdes & afpub. No pixels, only vectors. Original is .ai but I controlled every element.

    @CLC Thanks for the link. I will have a deep look into it.

    @Lagarto Thank you, too.

    I have a simple solution now with no hassle: I just exported the logo from .afdes as uncompressed EPS.  This is imported without any conversion.

  10. 1 hour ago, R C-R said:

    The status bar also shows that I can make a rectangular selection if I hold down the option key while dragging out the rectangle, & this seems to be a reasonably good way to average over an area, as long as every pixel I want to average can be included in one rectangle.

    This one works great with a greyscale like on color checker or something similar.

  11. 21 minutes ago, walt.farrell said:

    I'm not sure how the White Balance Tool will help you with a grey card, as its purpose is to pick white, not neutral grey.

    However, if, rather than clicking it, you drag it over an area, it will average the color of that area.

    Thanks, Walt. Dragging doesn’t work, but I saw that shift click adds more references to make the white balance perfect. So – problem solved!!

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