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KC82

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Posts posted by KC82

  1. 1 hour ago, William Overington said:

    I am wondering if you might like to try the gradient the other wy up too please, that is, solid at the top then the top of the letters C, l and b would be over a pale part of the BEACH lettering rather than over a solid part. Also, I don't know but I suspect that people will read each of the letters in BEACH from the top, so having the gradient the other way up might make it easier to read. But that is just my thoughts, I am not a trained graphic designer, so this just hobbyist comment not a professional designer level comment.

    The placement of the word Club with its relatively small yet noticeable overlay of the word BEACH looks good to me.

    William

     

    Yeah Im not a professional graphic designer either.I did the gradient that way due to the fact that most references have that light to dark order although they’re mostly in the synthwave style which I’m trying to avoid.I was more wondering there was a noticeable difference between the colors in the Beach letters as there is in the Club.The blues were easier to make a clear distinction between color but I don’t know if it’s clear that with the oranges.I could clearly see it when I had them in the color palette but when I added them to the letters not so much.I also didn’t want to go too dark with the bottom .

     

    32 minutes ago, Alfred said:

    When you say “solid”, do you perhaps mean “dark”? The fill for the word BEACH is all solid, but it’s yellow (i.e. relatively pale) at the top and orange (i.e. relatively dark) at the bottom.

    I think it looks good as is. It seems logical that it should have the sunny yellow part at the top and the sandy orange part at the bottom.

    Thanks.That was the look I was going for with the Beach letters.

  2. Unlike many people I’ve seen doing drawing or design videos recently I prefer drawing out ideas rather than retracing a paper sketch.I’ve noticed a lot of Affinity tutorials showcase pre drawn work being redone by using either the pencil or pen tool. I personally prefer to draw everything out from start to finish which brings me to my issue with using Pixel or Designer Persona.Sadly Affinity doesn’t have near the variety of brushes found for Photoshop or Procreate.I’ve seen a lot of work online done by artists with raster brushes designed specifically for Pixel Persona. Ive seen people suggest using Pixel Persona to start and then finish in Designer but I’m confused how that would work if the brushes aren’t available in Designer Persona.Also I’ve asked these questions to others and the answer seems to be to vectorize in Photoshop which seems to defeat the purpose of using Affinity 

  3. 14 hours ago, walt.farrell said:

    I've been watching a number of tutorials lately, and one approach I've seen several times seems to be sketching with simple brushes in the Pixel Persona, and then refining the sketch later using the vector tools in the Designer Persona on a new layer. Then hiding or removing the original pixel sketch layer.

    I haven’t really seen that.It’s been hard to find videos that aren’t about using the tools, there’s way more drawing videos for Illustrator and Procreate.There also aren’t a lot of commercially available brushes for Affinity compared to other software.The two major companies I’ve seen created some of their better brushes for pixel persona which to me defeats the purpose of using a vector program.

  4. I ditched Adobe over a year ago for Affinity due to the price and the lack of compatible mobile app. I got Affinity designer recently because it seemed  as close to Illustrator minus the trace feature which disappointed me but I was willing to overlook.My issue with drawing is being able to free sketch. I prefer to draw out ideas like I would on paper which I’m finding to be annoying with Affinity due to the nodes. I’m wondering is there a better way to go about this or do I have to draw in another program like procreate and import it.I have a lot of brushes I’ve gotten for Affinity and it seems like a waste not being able to use them.

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