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David Edge

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Posts posted by David Edge

  1. When I select the Rounded Rectangle tool, Designer draws a rectangle. Hitting the node tool reveals no red dot. The clue is that the help text at the screen bottom also says "Drag to create a new rectangle shape"

    If I use a modifier like cmd or option it then starts behaving itself and when I then go back to use the tool unmodified, I get rounded rectangles. Which would be all right, but the rectangle tool now produces rounded rectangles.

    New with v2, but which release I'm not sure.

    Fully up-to-date software and OS on an M1 MacBook Air.

     

    Screenshot 2023-12-29 at 10.13.55.png

  2. I select the object in Designer, move the pointer until I get a rotate handle, press the trackpad and - BOOFT! - I have a resize handle. Now I'm old and a bit blind, but can't be the only person for whom this is a problem. I've tried turning down the trackpad gain and it doesn't help. Is there an accessible way of rotating an object?

    FWIW I'm using a MacBook Air M1 and the latest versions of Affinity and MacOS.

  3. Well my system crashes when I try to print with every version of MacOS and Affinity Designer / Photographer / Publisher since February, maybe earlier. It's a 2019 iMac with 72GB RAM and it does it even with a newly-rasterised image. Preview and Capture One print fine. It's an Epson 3880. The OS, drivers and Affinity are kept up to the latest non-beta release.

  4. +1 please - in my case I simply want to roughen the outline of text so simulate a typewriter. I was more than a little surprised that having converted the text to curves that I couldn't roughen the vectors. Maybe playing around with some sort of brush effect on the path will help, but currently in a hurry...

  5. Quick +1 for emoji support. I use a lot of both tables and emojis in designing forms so have abandoned Affinity which is poor at both (and for that matter still struggles with printing) for Apple Numbers which excels at all those things.

    Emojis are not just smileys - and indeed never were. They are more-or-less universal colour symbols.

  6. That's about it really! I export 46 Mpixel TIFFs out of Capture One, a dozen folders and 10-50 images per folders and would like to leave Capture One to stack them and just save the stacks overnight. Zerene Stacker does this for me for focus stacks, but here I'm looking for median stacking. Nothing sophisticated, I'd be happy with a .afphoto with the same name as the first stacked file in the source directory.

     

    Would anyone else find that useful?

  7. Yes, I agree that vector plus blur is quicker than messing about with selections when there's little contrast between object and background. You can come and see the final result from 6 March at The Small Print Company in Derby.

    Re Carl's suggestion, I'll give it a go although I note in the sample image the young lady is standing in front of a brick wall, my backgrounds are a bit more challenging.

    Thanks both

     

    d.

  8. OK, I found this in a forum related to "the other lot"

    The term you are looking for is a "difference mask".

    Basically you align the two layers, set one to difference, and use the result to create a mask (you will have to tweak contrast, add some blur, etc.).

    However, it is a very bad method for masking. You will get quite crap/inaccurate results from doing it I'm afraid (image noise, shadows/etc. from the object, some pixels on the object being too similar to pixels in the original background, etc). Could be sufficient for just a garbage matte or just locating differences.

    This type of masking you typically only see in webcam applications where it tries to remove the background in realtime (quality not important, and works with any background as long as it's different enough from the object).

    I was thinking "difference" and missing the "mask" bit. So that would do what I was imagining, but in the view of the poster, not very well. And of course it will work in Affinity too.
  9. I'd like to mask / select a foreground object by blending a photo of the scene without the object and one with the object present. It seemed intuitively clear that some sort of blend mode like difference would do this, but difference doesn't give priority to the foreground object so you get a cocktail of the foreground object and what's behind it.

    Any bright ideas chaps?

     

    d.

  10. My publisher files are in a folder called iCloud Drive > Affinity Publisher Beta

    I know this because I can find the tagged ones by tag and I can also open the folder by using "Show in Enclosing Folder". However unlike Affinity Designer or Affinity Photo the folder doesn't appear in iCloud Drive.

    I'd really like an Affinity Publisher folder and for it to be visible as my file management revolves around tags and iCloud Drive rather than folders.

    I uninstalled Publisher and reinstalled on my previous iMac to no effect. Now on a  2019 iMac running Catalina.

    Happy to play with Terminal to fix it.

  11. I have Affinity Designer and Affinity Photo folders in Finder, but nothing any more for Publisher 

    My files in this folder show up in searches by tag and I can reveal files in this folder by using Show in Enclosing Folder. But they don't appear in iCloud in finder.

    a search using terminal gives (extract)

    drwxr-xr-x    4 davidedge  staff    128 17 Jun 07:27 iCloud~com~seriflabs~affinityphoto

    drwxr-xr-x    5 davidedge  staff    160  4 Oct 12:42 iCloud~com~seriflabs~affinitypublisher

    drwxr-xr-x@   3 davidedge  staff     96 17 Jun 06:21 iCloud~com~seriflabs~affinitypublisher~beta

    I'm running Catalina and have a 2019 iMac

     

    Any ideas, UNIX gurus?

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