AffB

Thank you walt.farrell: indeed I use facing pages, two independent frames per page, wrap-around of inset figures, ... all the nice features of Publisher. And yes, luckily it was only the ONE chapter and now it is (re)done as you and others described. But I still would like to kindly ask the Affinity developers to put this feature higher on their list.

Thanks to sfreedberg for re-raising the issue and the excellent description. My case: I have a 550 page beautiful text book on art theory, and now I need to split a text flow because I "forgot" to start one of the middle of the twenty chapters at a new frame. Aaaagh!

Hallo, I am a newbie with a steep learning curve behind me. My 130 page art catalogue is completed and exported to PDF for the printers, in CMYK colourprofile ISO COATED V2 300% (ECI). BUT the colours of the (originally sRGB) 300dpi artworks are all with a "grey overlay" and/or reduced colour saturation. Reading the forum, I found the softproof setting and it confirmed my problem is in the conversion. I must be the millionth person to ask this, so links are welcome: How in Affinity can I import sRGB images and export to CMYK with good colour saturation? Some forum entries (also over on the Adobe forums) talk about adjusting the tonal correction manually. There must be a better way than that in Affinity, right? Thanks in advance, AffB