Hello there,
As a C-suite executive having worked in feature films, television, a major label for 11 years+, I have created several millionaires, have converted a small jingle house where their needle drop rates ranged ~$250-$500, and had a special division called, “Groove Addicts” that handled television commercials where they thought $50-$75K was a considerable amount and was about to leave the interview as I was under the impression it was for music supervision. It was for cold calling sales. I became the first in house Music Sup. Got the fee’s as Hugh as $150K (1st/2nd end title) with the average ~ $5K. Taught them music sup, (there music was way off, they wanted to charge the music sups for the cues), (i.e. they were way off). .. I brought some contacts on-board (SONY™, Tascam, Sibelius, Finale, Sonic Foundry), took a sound design library generating little revenue, added some FX, loops, sound design, and released several (3) three sample kits adding $3 million to their bottom line at ZERO cost to them. I called them Bass-X, CinematiX -Vol I., CinematiX -Vol 2, While at this major label working with a MEGA HUGE MUSIC SUP, she also opened a retail store in Santa Monica that I helped put on the map while also working for her companies (retail/music supervision company) and the record label at the same time. We had the labels blessing. She could do anything. Anyway, I only mention as I think not offering files that users can edit is the fastest way to gain a following. Especially if they can edit the templates have the time to learn a new platform and can compete with Adobe.
Just my .02 cents.
P.S. FWIW, they got rid of the music library (sold to W.B.) and renamed the firm as a post firm.
The naming? It seems they liked my naming convention, released before Elon musk too. ..
GrooveWerX (or something similar)…. . Haven’t seen a royalties in a while - - any advice?
Peace