Inc

Is there a reason why Slug Area hasn't been included yet? It's not a feature it's an essential for print jobs. If somebody from Serif could answer this question maybe I'd be less frustrated and maybe even understand how the Serif team think about Slug Area and its use in their programs. I've bought several copies of all of the programs and the workbooks and I rarely use any of them as this is an essential for 90% of my work.

Is there a reason why Slug Area hasn't been included yet? It's not a feature it's an essential for print jobs. If somebody from Serif could answer this question maybe I'd be less frustrated and maybe even understand how the Serif team think about Slug Area and its use in their programs. I've bought several copies of all of the programs and the workbooks and I rarely use any of them as this is an essential for 90% of my work.

Generally Serif does not comment on feature requests, and only they would know.

I love Publisher  but IMHO it has the worst colour system I have ever seen (in over 30 years).
How did LAB, RGB and CMYK end up on the same palette when I only work in CMYK and the publication was set for CMYK? I NEVER work in LAB.
 I have 68 colours like this: "Rick 13-EN_No Photo 2 is the name of the publication. Useless as colour information for an in-document palette.
It should be simple to create my own custom CMYK palette but instead it's horribly complicated, if not impossible. It's a monumental time waster. Why can I change a colour in this dialogue but not in that one. And then I can only change it in THAT dialogue, but not this one. A lot of things seem too clever by half in Publisher but colour handling is a serious fault in an otherwise pretty good app.

Just answered a post and considered a few additions to the swatches panel.
When right-clicking on a colour fill swatch you have the option to Make Global effectively changing a fill colour to a global colour, but, once a colour has been converted to a global colour, that global colour should have its own context menu that would include...
Make Global Spot Make Global Overprint Revert Global (this would revert the colour swatch back to a global fill that can be used to change colours within a document en masse)

Hi,
It would be helpfull when we delete a style or a global colour to be able to replace it with another if it's used in the document.