Jump to content
You must now use your email address to sign in [click for more info] ×

eftee74

Members
  • Posts

    20
  • Joined

  • Last visited

Posts posted by eftee74

  1. I’m trying to find the best way to use new live luminosity range masks in Photo V2 for exposure blending.

    I think it’s possible to reduce computational time, memory usage and file size, compared to traditional workflow.

    Instead of creating a set of luminosity masks saved as spare channels (really tricky and requires a complex macro), now I just use a preset of curves for luminosity range masks suitable for lights, darks and midtones.

    Assuming there are two or more staked pictures with bracketed exposure and starting from the first one that has to be blended with the base exposure underneath, I’m following these steps:

    1.                  Add a live luminosity range masks as child of the picture layer that must be masked

    2.                  Select preview for viewing the mask in black and white

    3.                  Tweak luminosity range mask curve or use presets form the menu

    4.                  Add an empty (black) mask as child of the same picture layer (it hides the visibility of the picture layer)

    5.                  Select the picture layer

    6.                  Make “Selection From Layer” (“Ctrl+clik” on the layer thumbnail or “Ctrl+Shift+O” or from “Select” menu)

    7.                  A new luminosity selection is available as marching ants appear on the screen

    8.                  Delete the luminosity range mask

    9.                  Hide marching ants (optional)

    10.              Select the empty (black) mask

    11.              Paint with a white brush (choosing proper opacity) on the black mask with the active luminosity selection to reveal the picture layer

    Steps form 4 to 8 can be recorded as macro to speed up workflow.

    I have never used Photoshop, but I think new Live Luminosity Range Masks could be more effective than functionalities offered by some panels available for Photoshop.

    I hope it could be useful and eventually improved by your suggestion.

  2. I have the same issue. See three examples with luminosity range mask in preview mode.

    Mask in the first picture is ok, but as soon as the curve touches the uppest x-axis (second picture) pure white becomes suddenly black .

    I'm able to partialy workaround it moving the most right node to the left. The curve in the third picture is very close to the second one, but pure white remains as is.

    image.thumb.jpeg.5eec07b58520637701bea8855653a302.jpeg

    image.thumb.jpeg.743babb075f53850eb4e15bffcc549ee.jpeg

    image.thumb.jpeg.37d2697ec9be2c8abb3e6807340ca021.jpeg

  3. 3 hours ago, Lagarto said:

    Without proper documentation it is somewhat guesswork to tell how Affinity apps convert and display colors, but this kind of behavior can easily be experienced whenever the document color profile is different from the working color profiles specified in Preferences > Color. The swatch color value, when examined with color picker, would be identical than the defined value in a situation you have an sRGB document color profile and the working RGB color profile is the same. But it would be different if they differ.

    A couple of examples:

    a) Document color profile Adobe RGB and working RGB profile sRGB: the RGB defined color fill RGB 242, 13, 13 would be shown as RGB 255, 8, 5 (the value the color of the fill would be if the document would be converted to sRGB). 

    b) Document color profile CMYK Coated Fogra 39 and the working RGB profile sRGB: the RGB defined color fill RGB 242, 13, 13 would be shown as RGB 228, 28, 29 when picked from the swatch, which is the approximate RGB value of the current profile-pair-based CMYK equivalent color (C0 M98 Y93 K0) when converted back to sRGB.

    swatch_colors.jpg.980b597276cd75b1e4de4f01f6fd7716.jpg

    the internal color conversions and the method of displaying colors in different color modes can easily get confusing in Affinity apps. E.g., when the document is in CMYK color mode, the RGB defined color values are internally retained even if they are always displayed simulating the target CMYK color profile. On the other hand, CMYK gamut is clipped to sRGB which can easily be seen checking how cyan values are not shown at full CMYK color gamut (even if the display gamut would allow that). The defined original RGB values (instead of profile-converted swatch values) would be used when producing RGB outputs from a CMYK document.  

    EDIT On closer look it seems that swatch colors are always converted to sRGB no matter what the working RGB color profile is.

    In this case the colour profile is the same (AdobeRGB) both in "Preferences>Colour" and "Document".

  4. 5 hours ago, walt.farrell said:

    I don't see that on my system.

    Some questions:

    1. Which release of Affinity Photo, and what OS are you using?
    2. Which color picker? The Color Picker Tool, or eyedropper in the Swatches Panel? Or some other one? If you mean the Color Picker Tool, what Context Toolbar options do you have selected?
    3. Do you have anything else in your document except that Fill layer? If so, can you show us a screenshot of the document, including the Layers panel?

    I'm using 1.8.5.703 on Windows 10. It happens with any colour picker (eg swatches, gradient tool). Attached a couple of screenshot with just the fill layer.

    1.jpg

    2.jpg

×
×
  • Create New...

Important Information

Terms of Use | Privacy Policy | Guidelines | We have placed cookies on your device to help make this website better. You can adjust your cookie settings, otherwise we'll assume you're okay to continue.