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Everything posted by eobet
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Thanks everyone, this did the trick! But the Ux around this still seems convoluted... correct me if I'm wrong but: It is clipping when the child object makes non-overlapping parts of the parent invisble? It is masking when the parent object makes non-overlapping parts of the child object invisible? And then... Clipping only works with single objects clipping one another. Masking can work with compound objects masking groups. And finally: A clipping object must be transparent to work A masking object must have a color to work Now, someone will hopefully correct everything I got backwards, but it feels like a huge failure that these two, very similar functions, could not have been better structured. Especially when none of it is explicit in any menus, but rather must be discovered by testing different drag and drop targets. For example, any reason these two couldn't be unified into a single feature with the same intersect/xor options as compound objects? Is anyone from Affinity reading this? Similar to the legacy feeling you get regarding how the Fx button works, I hope they're not already locked in to this archaic way and can come up with a better solution for 2.0 perhaps... EDIT: Oh, my god... only now do I see this... So in other words: A clipped object has no symbol associated with it A masked object has a tiny little (crop?) symbol in a very weird place associated with it
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Still can't get that to work, unfortunately, regardless of how I try: Also, even if you are somehow correct, my initial suspiciouns were right then: There's only implicit (difficult to discover) ways to achieving clipping that's theoretically different if you want to use a curve or compound as the mask. That's poor UI consistency! Again, why isn't there an explicit, intuitive menu option/button for this? Unless I'm missing something obvious, this seems bad on so many levels!
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What does it matter when it starts and ends? 1. I move one orange shape into an invisible curve, and get expected clipping. 2. I move one orange shape into an invisible compound, and the entire orange shape disappears instead! I don't get why it behaves differently if clipping is supposed to work with compound shapes. Again, if there was an explicit menu command/button to perform clipping, you wouldn't have to guess what happens when you drag and drop stuff in various places...
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I might have missed something here but is clipping only available by dragging in the layers panel? https://affinityspotlight.com/article/understanding-clipping-in-affinity-apps/ That's really problematic if I have hundreds of objects and need to find the two I want in a list, when I could just select them and click on a clip button. I tried to open all buttons using "customize toolbar" but couldn't find any clipping buttons, and the same story when I looked through the menus... nothing stood out.
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No big difference between bevel and mitre join
eobet replied to eobet's topic in Feedback for Affinity Designer V1 on Desktop
Cool... the usability on that option could still have been handled better, and nobody has explained that graphical bug, though. -
No big difference between bevel and mitre join
eobet replied to eobet's topic in Feedback for Affinity Designer V1 on Desktop
A bug associated with this is that the milter joins flicker on and off when you zoom, especially if they overlap something else: (What I managed to capture above is mild... it's much worse in other cases...) -
I can't find the offset in designer. Can anyone let me know where it is? So far, I've tried to add a thick stroke and expand it, but the result is a single curve object, not a compound curve object that I can release, so I'm unsure of how to get to the actual shape I want (without manually deleting all nodes from the shape I don't want... but that's tedious as I have several objects).
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No big difference between bevel and mitre join
eobet replied to eobet's topic in Feedback for Affinity Designer V1 on Desktop
Oh... there's a strange, unexplained number entry that appears when you select mitre... apparently, through trial and error, if you increase that number, you for some reason get the expected result: -
In the layers panel, there are a row of buttons along the bottom, where the Adjustments and Fx produce rather similar layer modifications. However, the Fx button pops up a new dialogue where you have to make additional clicks to select something, whereas the Adjustment button popups a menu where you can immediately make your selection. This feels like baggage from Photoshop that might be familiar, but feels like a missed opportunity for streamlining and making the UI more consistent...
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But that is not normal! It must be a bug. Can someone please move this post to the bug forum instead? dCNg3fIgdD.mp4 This is so bad! Look at the end of the video: I'm even clicking OUTSIDE of the black circle and it still gets selected! Is this how Affinity is "fast"? By cheating this much? It's not even that fast on complicated documents...
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What am I missing here? This is 100% unworkable! I must have enabled some option by mistake: All selection, even single clicks, operate only on the bounding boxes of objects, so the circle with no fill gets selected even if you click on objects inside of it. That is madness. How did I make the program go this crazy?
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I have made a simple shape straight in Designer on my master, and it exports to PDF fine... except when I choose the color to be H 0 S 0 L 92... then it exports as white, even though it's clearly grey in Publisher. Switching to C 6 M 5 Y 5 K 0 doesn't help. However, if I don't change the color and instead rasterize it, it shows up in the PDF. Anyone else found this bug?
