bebez71

I know that, but what I want is that every left page has the point zero at the top left and positive (from left to right), like this screenshot

Yes I can, it's another way to do it.
I'm probably doing too many comparisons between the software I'm using (ID), where I work almost automatically and Affinity Publisher.
As with all the new softwares, you need to find the right approach for your method and type of work.

Affinity publisher is aimed for professionals who create documents for print, not hobbyists. If you can't make $40 back from your work, it might not be for you in the first place.

Italian
Testo > Interattivo > Inserisci collegamento ipertestuale
The whole floating window is in english

 
Visualizza > Modalità di visualizzazione > Ritaglia nella tela
Better translate to "Tavolo di montaggio" or "Piano di lavoro" ("Ritaglia nella tela" is meaningless).

Italian
Testo > Interattivo > Inserisci collegamento ipertestuale
The whole floating window is in english

 
Visualizza > Modalità di visualizzazione > Ritaglia nella tela
Better translate to "Tavolo di montaggio" or "Piano di lavoro" ("Ritaglia nella tela" is meaningless).

Italian
Testo > Interattivo > Inserisci collegamento ipertestuale
The whole floating window is in english

 
Visualizza > Modalità di visualizzazione > Ritaglia nella tela
Better translate to "Tavolo di montaggio" or "Piano di lavoro" ("Ritaglia nella tela" is meaningless).

Wow, I really opened up a deep discussion here. I didn't realize you could do multiple masters and I can't think of a time where I'd ever needed that. Mind you, maybe if I knew I could do it, I would find a reason to use it. However, there are times when you add in more functionality it makes things more complicated and you actually lose a little functionality in the process. Hopefully they can figure out a nice balance.
I'm still using InDesign at work for design and pre-press, and Publisher obviously can't replace it, so I use Publisher at home for personal projects. Every time I start a new project I encounter many things that I simply can't find and have to search in these forums.

If in a single block of text there are several transformations (kerning, tracking, scale, etc.), in the transformations window, selecting the whole text, it only show the first transformation encountered.
I think it would be better in this case to leave the values blank, so you can know that different values are applied.

I know that, but what I want is that every left page has the point zero at the top left and positive (from left to right), like this screenshot

I know that you know that and I want what you want. That made me write what I wrote about dsbld and ... an experience that needs to be continued.
Let's hope a Moderator will want to like the idea of a positive custom zero point

Mathematically: yes. – Visually, too?
A spread contains two pages. Let's assume, both are read in same direction. Let's say from left to right. – Then they get designed easier page by page in same ruler direction. For instance to place an object 25 mm from the left edge on both pages.
Why shouldn't we?

Is there a way to set the ruler to zero mm (or inches) for each page (also for facing pages) instead of continuing the measurement from the left page?
Thanks

I find it very difficult to understand which colors are actually used in the document.
Is there a way to quickly check the used colors?
For example, text that looks 100% black, while it is in CMYK.
Is it possible to make a find / replace by track color, fill or text?
Is it possible to make a color selection preview?

I find it very difficult to understand which colors are actually used in the document.
Is there a way to quickly check the used colors?
For example, text that looks 100% black, while it is in CMYK.
Is it possible to make a find / replace by track color, fill or text?
Is it possible to make a color selection preview?

I've always used a Mac feature that I find useful and it seems to me to work with all the software I use, but not with Affinity Publisher.
If I click with the mouse on the name of the open document, the path is shown and I can quickly access the folder (or subfolder) that contains it. Is it possible to activate this feature also in AP?

If in a single block of text there are several transformations (kerning, tracking, scale, etc.), in the transformations window, selecting the whole text, it only show the first transformation encountered.
I think it would be better in this case to leave the values blank, so you can know that different values are applied.

If in a single block of text there are several transformations (kerning, tracking, scale, etc.), in the transformations window, selecting the whole text, it only show the first transformation encountered.
I think it would be better in this case to leave the values blank, so you can know that different values are applied.

I've always used a Mac feature that I find useful and it seems to me to work with all the software I use, but not with Affinity Publisher.
If I click with the mouse on the name of the open document, the path is shown and I can quickly access the folder (or subfolder) that contains it. Is it possible to activate this feature also in AP?

Hi bebez71,
Edit > Preferences > User Interface, you can adjust the decimal places you want the app to use here.
Thanks

replacing swatches with other swatches would be a very useful feature, and I have requested this before. Deleting a global color should always bring up a dialog to ask me to replace the color of the affected objects IMO.

Hi melriksdesign,
Welcome to Affinity Forums
Global layers are already planned for an upcoming update (after Publisher's release eventually but I may be wrong here).

Italian language ( beta #312) also this screen need translations.
In the missing links warning window, "Resource Manager" and "Yes" should be translated.

Hi bebez71,

This is a known issue that is already with development. Thanks for letting us know! 

Hi,
Thanks for reporting this, I can reproduce the crash with your file. I'm struggling to see what has caused it to happen in this specific file but have logged it for the developers to investigate.
 

Or look in the Layers panel for the page.
There's nothing more "visually immediate" that I know of, @bebez71. And by the way, you can have multple Masters applied to each page, if you were not aware.